The paper introduces a monographical issue of Anglistica AION dedicated to the theatre’s potential to mediate the relationship between human beings and space through analyses of thought-provoking performances which move beyond the limits of the conventional stage. In exploring the forms of theatre involving urban or natural spaces, abandoned or reshaped contexts, or guided paths through unusual delimitations of the performative space, I take into consideration the recent literary and theoretical debates on the representations of space and place, geopoetical and geocritical approaches as well as the ecocriticism, since they all interweave spatial issues with phenomenological implications and political outcomes in the broadest sense
This article examines the effect of the ‘spatial turn’ on the study of Shakespeare and early modern ...
The profound spatial turn experienced by the humanities and social sciences over recent decades has ...
Although any performance we see necessarily affects how we read and interpret the play or performanc...
This issue of Anglistica AION investigates the theatre’s potential to mediate the relationship betwe...
This chapter traces theatre’s spatial and architectural evolution and elaboration: how it ‘takes pla...
The aim of this paper is to discuss the concept of space as a site of ephemeral representations that...
This chapter develops a conference paper presented to the Scenography Working Group at the Internat...
When performance vacated the interior of the theatre to work with site - factory, shop, square, stre...
The Potentials of Space interrogates the relationship between scenography and performance in contemp...
This paper proposes a phenomenological and aesthetic approach to “performative spaces”, suggesting i...
This trio of new books focuses on how space and place inform understandings of performance, although...
As the twenty-first century moves towards its third decade, applied theatre is being shaped by conte...
Space: it\u27s everywhere, all around, a given. It\u27s abstract and yet not abstract at all, becaus...
Drawing on the tenets of cognitive science, particularly Lakoff and Johnson's writing on metaphor, t...
[Δεν υπάρχει περίληψη]Is there any relationship between the study of theatre's architecture, its geo...
This article examines the effect of the ‘spatial turn’ on the study of Shakespeare and early modern ...
The profound spatial turn experienced by the humanities and social sciences over recent decades has ...
Although any performance we see necessarily affects how we read and interpret the play or performanc...
This issue of Anglistica AION investigates the theatre’s potential to mediate the relationship betwe...
This chapter traces theatre’s spatial and architectural evolution and elaboration: how it ‘takes pla...
The aim of this paper is to discuss the concept of space as a site of ephemeral representations that...
This chapter develops a conference paper presented to the Scenography Working Group at the Internat...
When performance vacated the interior of the theatre to work with site - factory, shop, square, stre...
The Potentials of Space interrogates the relationship between scenography and performance in contemp...
This paper proposes a phenomenological and aesthetic approach to “performative spaces”, suggesting i...
This trio of new books focuses on how space and place inform understandings of performance, although...
As the twenty-first century moves towards its third decade, applied theatre is being shaped by conte...
Space: it\u27s everywhere, all around, a given. It\u27s abstract and yet not abstract at all, becaus...
Drawing on the tenets of cognitive science, particularly Lakoff and Johnson's writing on metaphor, t...
[Δεν υπάρχει περίληψη]Is there any relationship between the study of theatre's architecture, its geo...
This article examines the effect of the ‘spatial turn’ on the study of Shakespeare and early modern ...
The profound spatial turn experienced by the humanities and social sciences over recent decades has ...
Although any performance we see necessarily affects how we read and interpret the play or performanc...